Each cassette image in these editions and originals are historically accurate and serves as a reminder of a great period when bands would take these small pieces of plastic home (or to their car stereo) and listen to what they had created in the recording studio that day.
These are not straight forward copies of a cassette tape. Horace researches the band, the recording studio where each track was created (most of which sadly no longer exist) and sometimes the dates of the recording, this information is then used to create the painting. Not all of these are based on demo cassettes; some ,as with "Top 40", are iconic tape designs with wording that resonates with the viewer. These pieces of art are, as the artist himself calls them, "repositories of memory"